Book Launch: “Empire” by James Armstrong

SEPTEMBER 22, 2023 | 5PM – 7PM | FREE & OPEN TO THE PUBLIC

James Armstrong, who served as Winona’s first Poet Laureate, will read from his latest book of poems, Empire, on September 22 from 5 to 7 pm at the Minnesota Marine Art Museum (MMAM).

This event is free and open to the public. Attendees will have an opportunity to view the current exhibitions at MMAM, in addition to hearing Armstrong read from his work. There will be light refreshments from 5-5:30pm, followed by a reading and a question and answer period.

The book has received advance praise from his peers: Wisconsin Poet Laureate Kimberly Blaeser writes that “Empire” “lays bare truths of our oldest plagues—human greed and settler colonialism. In an America where ‘television is our forever’ and ‘this night is as dark as it is going to get,’ ‘sorrow is a door that keeps opening.’” Still, she says, there are “poems of beauty and brash love for the planet’s smallest gifts.” She cites deft examples of Armstrong’s phrasing: “the moon a half-spent coin,” “sun gauzy in a chemise of fine particles,” “wet vowels of the sea.”. Albert Goldbarth, two-time winner of the National Book Critics Circle Award and author of nearly 40 books, agrees that Armstrong’s poems demonstrate the ability to be “photographically exact and wildly imaginative at once,” and praises his “ability to compact large-scale ideas” in deft phrases, adding “These are tomorrow’s adages in the making.” Michael Kleber-Diggs, author of “Worldly Things” and winner of Milkweed’s Max Ritvo Poetry Prize, writes that “’Empire’ is expertly crafted by a skilled and brilliant hand. James Armstrong sees the current and historical landscape fully and well, the natural climate and the national one.” Melissa Range, 2015 National Poetry Series winner, also points out Armstrong’s formal abilities, writing that “‘Empire’ is a marvel of precision and craft from start to finish. Armstrong intuitively understands the argumentative energies of the sonnet form, and it is here, in a series of dazzling sonnets both rhymed and unrhymed, that his critiques are most pointed and most powerful.”